Here’s a peek at my latest painting. I hope to finish it this evening. I’ve been so busy with spring cleaning and home improvement projects that I’ve had little time to paint. I have several interior decorating projects underway, porch and deck makeovers in progress, a massive yard cleanup, custom curtains to sew, and a few painting tasks to complete–some involving plenty of spray paint (you know how much I love spray paint). Oh, and lots of fun shopping with my mom. I can’t wait to finish all these projects and share the results with you.
I hope you’re enjoying the warm spring weather as much as I am.
My daughter painted these gorgeous miltonia orchids during a recent late night mother-daughter painting session. I love the bits of white she left on the edges of the petals and the one bright white flower to the left of the center of the painting she chose as her focal point. And of course I love the bright, highly saturated colors.
This painting was based on a tutorial in Ann Mortimer’s newly released book, “Orchids in Watercolor.”
I thought it was time to switch gears from painting fairies and focus on botanical painting this weekend. Variety is the spice of life, right? I’ve never painted orchids before but I was drawn to the soft pinks and purples in this variety. I think the natural touches of red in the center of these orchids add interest to the painting and keep it from looking too monotone.
I’m particularly pleased with this color scheme. The colors are bright and soft at the same time. For the background I dropped in cobalt blue, cerulean blue, aureolin, and permanent rose. For the flowers I used permanent rose, cerulean blue, aureolin, and Winsor violet. For the leaves and stems I used green gold, cerulean blue, and raw sienna. This painting is based on a tutorial in Ann Mortimer’s new book, “Orchids in Watercolor.” Here’s a close up view:
My niece Karen chose to paint these yellow trumpet flowers. This is her second watercolor painting and her painting skills have improved a great deal already. I love the shading in the center of the flowers–it gives them such depth–and the sunny color scheme she chose. This painting is based on a tutorial in Janet Whittle’s book, “How to Draw Exotic Flowers in Simple Steps.”
Here’s a close up of Karen’s painting, isn’t it pretty?
This painting was based on a tutorial from Fiona Peart’s book, “Charles Rennie Mackintosh’s Watercolor Flowers.” I may drop in a background at a later date, but for now I’m calling this painting done. Charles Rennie Mackintosh was an internationally celebrated architect, designer, and watercolor artist. His paintings did not become popular until after his death in 1928.
This is my mom’s third painting. The improvement over her first two paintings is remarkable. She now has her own watercolor supplies and has begun painting on her own. Can we get a collective, “go mommy, go mommy?” This painting was based on a tutorial from Sherry C. Nelson’s book, “Painting Butterflies and Blooms.”
This is my sister’s second watercolor painting. Aren’t these tulips gorgeous? For this painting she combined two tutorials. The tulips are based on a tutorial in Fiona Peart’s book, “Tulips in Watercolor” and the background is based on a tutorial in Janet Whittle’s book, “Watercolor Roses.” What a great combination. You rock, sissy!
We had such a great time. I’ll be posting the completed paintings tomorrow.
I just completed this painting a few minutes ago and was so pleased with the results that I had to post it right away. I darkened the background a bit behind the leaves on the right-hand side to increase the contrast, I added veins to the leaves using a negative painting technique, and added veining to the rose petals using a very diluted brilliant red violet, though next time I would dilute it even further because I think the lines should be even paler than what’s shown here.
As I mentioned previously, this painting was based on a tutorial from Janet Whittle’s book, “Roses in Watercolour.” Since Ms. Whittle stressed that using the right type of paper was very important to achieving this type of background wash and I didn’t have the paper she recommended on hand (Arches 140 lb. Not paper), I practiced her wash technique on the four types of paper I had on hand–Fabriano Artistico Hot Pressed, Fabriano Artistico Cold Pressed, Canson Aquarelle/Acuarela Cold Pressed, and Aquarelle Arches Cold Pressed. It was a worthwhile experiment because the results varied widely with each type of paper, and the Aquarelle Arches Cold Pressed 140-lb. paper was the hands-down winner.
My palette consisted of Winsor Newton opera rose, aureolin, quinacridone gold, Winsor red, indanthrene blue, Winsor violet, and perylene maroon as well as Schmincke brilliant blue violet, May green, helio green, and brilliant red violet.
I will definitely be using this wash technique in the future as well as some of the other techniques I learned from this book. I highly recommend it.
This painting is based on a tutorial from the book, “Tulips in Watercolor,” by Fiona Peart. I’m really loving the intensity of the colors in this painting. I only have two more paintings to go, and then I’ll have worked my way through the entire book. Watercolors on cold pressed Acquarello Artistico paper by Fabriano.